REVIEW: Ghajini
Watching him in Ghajini, I don't think I've seen Aamir Khan having this much fun as an actor in a long time.
It's an old-fashioned entertainer with a half-convincing plot, packed with enough gratuitous violence to qualify as a B-movie really; and like the most popular B-movies ever, the biggest strength of Ghajini lies in the fact that it's a fast-moving roller-coaster ride that seldom gives you a moment to stop and think how stupid it might actually be.
In a premise clearly inspired by Christopher Nolan's Memento, Aamir Khan plays Sanjay Singhania, a hot-shot industrialist who turns into an obsessed killing machine dedicated to tracking down his girlfriend's killer. Having been hit on the head with an iron rod, he suffers from short-term memory loss and can't remember anything for longer than 15 minutes; as a result he must tattoo his body with instructions that will lead him to his prey.
Abandoning Memento's fantastic non-linear narrative and opting for the more conventional flashback device, writer-director AR Murgadoss throws in an engaging back-story in the form of leading lady Asin (playing smalltime model Kalpana) and a love story brimming with originality and the kind of gentleness that you don't see at the movies anymore. It's a romance that takes you by surprise, and to an extent puts the film's intense action into perspective too.
Faithful remake of the director's Tamil blockbuster, Ghajini is over-the-top and exaggerated in its comedy, its action and its drama, but what irks you most are the half-dozen or so creative liberties and coincidences that the makers resort to, in order to bail themselves out of tricky screenplay situations. Here's a little sample - you're expected to believe that Sanjay Singhania is a well-known millionaire industrialist, and yet no one has seen him in pictures or in person.
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